Inside the Uzbekistan’s Center of Islamic Civilization

The Center for Islamic Civilization is not merely a museum complex; it is a large-scale cultural and educational megaproject designed to reinterpret the role of Islamic heritage in world history. Its aim is to study Uzbekistan’s own cultural and historical legacy and to preserve it for future generations, according a report published on CNN.

The idea for the Center was first put forward by Uzbekistan’s President, Shavkat Mirziyoyev, in 2017 from the podium of the United Nations, where he articulated the ethos behind the project.

“Our most important task is to convey to the global community the truly humanistic essence of Islam. Islam calls us to goodness and peace, to safeguarding the genuine human core,” explained President Mirziyoyev.

Architecture of meaning

Eight years after the President presented this historic vision, it has acquired a visible architectural embodiment. The complex has been erected in the Hast-Imam district – the spiritual heart of Uzbekistan’s capital, Tashkent.

The 65-meter dome and four portals symbolize the unity of the country’s regions. At the core of the complex stands the Hall of the Holy Qur’an, where the famous 7th-century Mushaf of Uthman (Quranic manuscript), inscribed by UNESCO in the international Memory of the World register, is preserved.

The concept of the exhibitions, enriched with modern digital installations, is built along a chronological axis from the pre-Islamic era, through the First and Second Renaissances, to the New Age and New Uzbekistan.

An intellectual ecosystem

The Center unites science, art, and education. It features an extensive library housing 200,000 books, a School of Calligraphy, craft workshops, and a restoration laboratory. The Center also hosts the King’s Foundation School of Traditional Arts and includes Uzbekistan’s first dedicated children’s museum, where science is revealed through play, experiments, and multimedia installations.

Within the Center are the offices of international organizations, including the Islamic World Educational, Scientific, and Cultural Organization (ICESCO), Research Center for Islamic History, Art, and Culture (IRCICA), the Oxford Center for Islamic Studies, and other scientific and cultural institutions.

Within the complex is a 460-seat conference hall, a space originally designed for international dialogue and cooperation. All discoveries, research, and cultural initiatives produced in this intellectual environment will be presented in the exhibitions on the first floor of the Center. The museum’s content will be continuously updated, transforming the space into a living, evolving system where the past and present remain in constant dialogue.

I wish this shining Center to become a light for the whole world. It stands as a true testament to cultural diversity, tolerance, openness, and Uzbekistan’s role in the development of humanity.

A memory pool

One of the key missions of the Center is the repatriation of lost artifacts that, for many years, remained abroad. Delegations of Uzbek scholars and art historians visited leading auction houses, as well as renowned private collectors and galleries around the world. As a result of this extensive work, more than a thousand rare objects were brought back to Uzbekistan.

Meanwhile, the World Society for the Study, Preservation, and Popularization of the Cultural Legacy of Uzbekistan (WOSCU) donated around one thousand manuscripts and artifacts directly connected to the historical and cultural heritage of Uzbekistan.

The Center also partners with philanthropists and private collectors to ensure it maintains its historical integrity and fully meets international standards for the highest level of organization, content, and cultural significance.

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